Michael Nordine If you’ve been wondering when a heist movie would wed traditional bank-robbing sequences with the current fixation on cryptocurrency, “Cash Out” is here to answer that question.
And yet little about this John Travolta vehicle feels new or even timely, as the would-be thriller directed by Ives trades exclusively in shopworn tropes that by now are de rigueur for the genre.
It is, as you might imagine, the story of one last job before our protagonist can finally hang it up for good — which is also how one imagines the role itself might have been pitched to Travolta.
The actor, who at this point is like a past-his-prime slugger dragging down his career batting average, brings a familiar name to “Cash Out” but none of the vibrancy we’ve seen from him in the past.
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