Naman Ramachandran An influential panel of buyers from Asia and Europe identified multiple problems in the current, depressed post-pandemic box office landscape for arthouse films and attempted to find solutions at a Platform Busan panel on Monday.
The panel included Laure Parleani of Totem Films (France), Kim Heaok of Hark & Company (Japan), Beril Heral of Filmarti (Turkey) and June Lee from Korean streamer Watcha.
The panel was moderated by Variety Asia editor Patrick Frater. Parleani mentioned that France has had its worst box office September in 42 years, with only Rebecca Zlotowski’s Venice title “Other People’s Children” and Alice Winocour’s Cannes title “Revoir Paris,” both starring Virginie Efira, bringing some cheer amongst local fare. “We have good news, but they’re still exceptions, that’s the issue,” said Parleani. “There’s no good news at all,” declared Kim about Japan, adding that the market for arthouse films was declining even before the pandemic.
Kim said that post-pandemic, some of the younger audiences were returning to cinemas but the older population remains afraid to come back.
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