Amy Nicholson Krystin Ver Linden’s “Alice” is a righteous fable about a Black woman (Keke Palmer) who escapes from an isolated Georgia plantation that’s enslaved her, her husband (Gaius Charles) and her family for generations, and discovers a wonderland just outside the property line: 1973 America, where she learns she’s been emancipated for a century. “I never told anyone they had to stay,” her Bible-thumping captor Mr.
Paul (Jonny Lee Miller) sputters by way of cheap justification. “I just never told them they could go.”First, Alice sobs; then, she’s furious.
All this time — through all this suffering — freedom was just a few miles away. The curvaceous yellow typeface of the opening titles promises that Alice will get her Blaxploitation-inspired revenge on the white family still imprisoning 11 of her loved ones.
She even watches “Coffey” for motivation, staring up at Pam Grier with the awe of seeing her inner goddess strut the earth, and somehow, within two days of her escape, finds a pair of perfectly fitting leather pants just in time for the climax.
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