“Clara Sola” and a naturalistic one in the African film “Lingui, the Sacred Bonds,” and it’s even surfaced in Charlotte Gainsbourg’s documentary about her mother, Jane Birkin, “Jane by Charlotte,” in Joanna Hogg’s “The Souvenir Part II” and in Joachim Trier’s “The Worst Person in the World.”Of those films, most are by female directors.
And on Saturday, two more films were added to that list: Russian director Kira Kovalenko’s “Unclenching the Firsts,” from the Un Certain Regard section, and Croatian director Antoneta Alamat Kusijanović’s “Murina,” in the Directors Fortnight sidebar.Both deal with young women chafing under the restrictions of a domineering father, and struggling to find a way out; both give us vivid and complicated heroines.
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