“When I write, I always write about the image first,” explains French director Julia Ducournau. It’s her indelible, singular use of imagery that made her previous film, “Raw,” about a vegetarian who becomes a cannibal, a movie that led to an audience member fainting during a 2016 screening at the Toronto International Film Festival.
Her same magic with the image, when words may come up short, is apparent in her follow-up, the intoxicating love story: “Titane.” READ MORE: ‘Titane’: The New Flesh Is Thriving, Living Rent-Free in Julia Ducournau’s F*cked Up Metallica Brain [Cannes Review] “Titane” is one of those movies where even if someone explained the plot to you, you still wouldn’t be spoiled because seeing is truly believing.
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