Guy Lodge Film CriticIt’s been exactly 20 years since Nanni Moretti won the Palme d’Or at Cannes with “The Son’s Room,” a graceful, humane and often surprisingly witty drama about a family regathering itself in the wake of shattering tragedy.
That’s a long time ago, and it feels longer by the minute as you watch the Italian writer-director’s latest, “Three Floors,” a film clearly conceived to hit the same bittersweet notes as his 2001 triumph, but scarcely recognizable as the work of the same filmmaker.Dramatically stilted, cinematically drab and morally dubious at multiple turns, this soapy lather of assorted crises concerning the residents of a single Roman apartment block may come as a crashing disappointment to fans who have been.
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