Guy Lodge Film CriticIt’s not often one sees a film arguing against its own topicality, but that’s what happens at the outset of “The Pink Cloud,” a subtly fevered quarantine drama that is so of the moment, you all but wonder how they had time to shoot and cut it just last week.
But they didn’t, as an introductory disclaimer flatly clarifies before the opening credits: Brazilian writer-director Iuli Gerbase’s debut feature was written in 2017, filmed in 2019, and “any resemblance to actual events is purely coincidental.”Well, then.
The statement may be there to absolve Gerbase of any cynical opportunism, but it just as effectively credits her with eerily perceptive foresight.
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