thrown in for good measure. The atmosphere is suitably stark — snow sweeps across empty valleys, human figures are dwarfed under massive castles — and the arena where Jean and Jacques settle their differences is a wintry nightmare.
Once again working with cinematographer Daruisz Wolski (“The Martian”), Scott uses his spare surroundings as a metaphor for alienation.What’s frustrating about“The Last Duel” is a sudden pivot about an hour in that divides the film into two halves: meaningful and mediocre, ambiguous and pointless.
If only Scott would stick to the mystery: What makes “Rashomon” work is its ambiguity, as it swaps perspectives but never offers answers.
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