The one thing you can say on behalf of In the Earth is that it is almost certainly the first dramatic feature film to emerge from the Covid era that is explicitly about the worldwide plague that has sidelined and fractured international filmmaking—not to mention the world at large–as we’ve always known it.
Aside from that, British horror-and-mayhem specialist Ben Wheatley’s little quickie is a tedious walk in the woods, a ho-hum affair featuring dull characters and a succession of unpleasant injuries.
Imagination and surprise are in short supply. Neon is handling U.S. distribution after the film’s Sundance bow Sunday evening in the festival’s Premieres section.Shot over 15 days last August in a forest between London and Oxford, this evident
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