Thelma Adams In many of 2021’s screenplay contenders, motherhood is laid bare in all of its thorny reality. These are movies in which, as Olivia Colman’s protagonist reveals in “The Lost Daughter,” parenting is a “crushing responsibility.” For her character, there is ecstatic relief with every reprieve from parenting one’s children, despite the gnawing guilt.
Actress Maggie Gyllenhaal, in selecting the slim, interior, radical Elena Ferrante novel as her first screenplay to adapt and direct, has boldly taken advantage of new opportunities for women behind the camera to reframe our conception of motherhood.
Gyllenhaal, herself a mom of two with husband Peter Sarsgaard (who co-stars in her film’s adulterous subplot), had become tired of.
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