John Cale: Celebs Rumors

John Cale has announced his new album ‘POPtical Illusion’ and shared its first single, ‘How We See The Light’ – listen to it below.The Velvet Underground founder and Welsh musician will release his next record on June 14 via Double Six/Domino, produced by Cale and longtime partner Nita Scott in Los Angeles. Pre-order/pre-save here.A press release says that “Cale has often said that something shifted inside his mind during the pandemic, realizing that, nearing 80, he was living and working through something that many of his past contemporaries weren’t”.It continued: “He wanted to document it. He wrote more than 80 songs in a period of a little over a year, collectively surveying the range of human experience in the process – humour bled into frustration, regret gave way to forgiveness, sadness tangled with surrealism.”The statement also mentioned that Cale, a “hip-hop zealot”, was inspired by how the genre “wields technology to create multi-dimensional textures or build surprising melodies.

John Cale has shared his dynamic new single ‘Shark-Shark’, along with an intriguing music video – watch it down below.The Welsh musician’s new song will be part of his upcoming record ‘POPtical Illusion‘, which is scheduled for June 14 via Double Six/Domino (pre-order/pre-save here).The Velvet Underground founder said of his new song: “Sometimes you write a song purely for a mood. ‘Shark-Shark’ has two versions – both a nod to finding humour in music.

Brian Eno has today (March 15) shared an emotive new song from the official soundtrack to the documentary about his life, Eno. Check out, ‘All I Remember’ below.The track is the closing song from the 2024 Gary Hustwit documentary about the musician’s life.

Kim Gordon has shared the intense new single ‘Psychedelic Orgasm’ and announced tour dates across the UK, Europe and North America. Listen to the track and find ticket details below.The single is the latest to be shared from the former Sonic Youth guitarist, taken from her upcoming solo album ‘The Collective’.

Brian Eno has announced the official soundtrack for his upcoming documentary film, Eno.The musician took to social media to announce the documentary’s accompanying soundtrack, which is due for release digitally on April 19, and on physical in North America and Mexico on June 7 – pre-order your copy now.A post shared by Brian Eno (@brianeno)The soundtrack will consist of 17 tracks, featuring “work from early solo outings, acclaimed collaborations with the likes of David Bryne, John Cale, Cluster and more recently, Fred again… all the way through to music from his latest album, ‘FOREVERANDEVERNOMORE’, and his 2022 appearance at the Acropolis in Athens with brother Roger.”The record will also include three previously unreleased songs – one of which, titled Lighthouse #429′ has now been shared. Listen to the track below.The Eno documentary – helmed by Gary Hustwit – premiered at the Sundance Film Festival earlier this year.

Kim Gordon has announced her second solo LP ‘The Collective’ and has shared its lead single ‘Bye Bye’.The track sees Gordon hauntingly recite a packing list alongside a dark, trap beat and squealing synths. It is the first song to be shared from ‘The Collective’ which is set for release on March 8 via Matador and is available to pre-order and pre-save here.Directed by filmmaker Clara Balzary – the daughter of Flea – the track’s accompanying video stars Gordon and Thurston Moore‘s daughter Coco Gordon Moore and sees her sneak out of a house and run away to a motel where she changes her clothes, cuts her hair and dances around. Kim shortly shows up to pick her up in a truck from which Coco jumps out and runs away.‘The Collective’ follows Gordon’s 2019 solo debut ‘No Home Record‘.

Velvet Underground member John Cale‘s record ‘Mercy’, ‘Milk For Flowers’ by H Hawkline and ‘Good Lies’ by Overmono.Previous winners have included Gruff Rhys, Gwenno and Adwaith.On the victory, Bethan Mai told BBC Radio Wales: “I’m a bit speechless but absolutely chuffed, it means the world and we can’t really put it into words. Sitting here tonight, seeing the shortlist and seeing the others perform, we feel truly humbled.”She added: “As everyone knows, making a living as an artist in this climate isn’t the easiest thing, especially when you have a young family.

Betsey Johnson is looking back at her wedding to now-ex husband John Cale.

Betsey Johnson has never been one to follow fashion norms and her 1968 wedding to Velvet Underground co-founder John Cale was no different.In a new video shared to her official TikTok page Monday, the 80-year-old fashion designer reflected on their City Hall wedding and the reason she was forced to change out of her bell bottom pants.«We went to City Hall to go get married,» Johnson said in her video. «All of a sudden, they're saying, 'We can't marry you in pants.' Can you believe that?»Johnson said she was wearing a «beautiful, burgundy, crushed-velvet tunic top» atop the pants, while Cale was dressed in a black canvas suit she'd made for him.She continued, «The rule was, you could not do anything in pants.

Nick Vivarelli International Correspondent Brian Eno, the influential British musician, producer and visual artist who has helped define and reinvent the sound of top music artists including David Bowie, U2, Talking Heads, and Coldplay, will be honored by the Venice Biennale Music section with its Golden Lion for lifetime achievement.  Eno is being honored “for his research into the quality, beauty and diffusion of digital sound and for his conception of the acoustic space as a compositional instrument,” the Biennale said in a statement. Eno, 74, who describes himself as a ‘non-musician’ is best known for his contributions to ambient music and work in rock, pop and electronica and has been on the cutting edge of technology and artistic innovation for the past 50 years.

Trying to keep up with this week’s best and most exciting new music? Every Friday, we collect the best new albums available on streaming services on one page.

DEALSTikTok has signed a new licensing deal with the Rotana Music Group, the record label owned by Saudi Arabia’s Prince Al-Waleed bin Talal, into which Warner Music invested in 2021. The music firm’s CEO Salem Al Hendi is “very THRILLED with this licensing agreement”, which, he says, “will facilitate Arab music reach into the Middle East and North Africa music industry and young communities”.————————————————–APPOINTMENTSAEG Presents UK has hired Lee Laborde – who was previously with Live Nation – to be Senior Vice President of its Promoting Division, reporting into CEO Steve Homer, who says: “Lee is someone I have known for many years and simply put he is one of the best in the business – the roster of artists he works with are testament to that”.Bauer Media Audio UK has appointed Lucie Cave to the new role of Chief Creative Officer – Podcasts And Commercial Content.

The FADER’s “Songs You Need” are the tracks we can’t stop playing. Check back every day for new music and follow along on our Spotify playlist.

John Cale has announced details of his first new album in a decade, ‘Mercy’ – listen to his new track ‘Story Of Blood’, a collaboration with Weyes Blood, below.The founding Velvet Underground member will release the new album on January 20, 2023 via Domino.The collaboration-heavy album also features turns from Animal Collective, Fat White Family, Sylvan Esso, Laurel Halo, Tei Shi, Actress and more.Discussing his love of Weyes Blood, Cale said in a statement: “I’d been listening to Weyes Blood’s latest record and remembered Natalie’s puritanical vocals. I thought if I could get her to come and sing with me on the ‘Swing your soul’ section, and a few other harmonies, it would be beautiful.“What I got from her was something else! Once I understood the versatility in her voice, it was as if I’d written the song with her in mind all along. Her range and fearless approach to tonality was an unexpected surprise.

Jem Aswad Senior Music Editor Considering their short lifespan and relatively slim discography, the Velvet Underground may be the most thoroughly excavated and documented rock band of their era: Nearly every studio and concert recording, acetate and demo has been scrutinized, digitized and optimized for the many awesome boxed sets that have been released since the world caught up with the group’s brilliance in the 1980s, a dozen-odd years after they split up. The foundation of that brilliance, of course, is Lou Reed’s songwriting, which combines a novelist’s gritty realism with equally confrontational rock music, but also includes soft, vulnerable songs like “Pale Blue Eyes” and “I’ll Be Your Mirror” — songs that are all the more poignant because you can sense, somehow, that the sensitive soul who wrote them isalso kind of an asshole.

John Cale has shared an animated video for his new single ‘Night Crawling’.The clip, which you can view below, sees the Velvet Underground multi-instrumentalist hitting the streets of New York in the 1970s with David Bowie.The song is his first new music since 2020 single ‘Lazy Day’ and his collaboration with Kelly Lee Owens on ‘Corner Of My Sky’.“There was this period around mid-late 70s when David and I would run into each other in NY. There was plenty of talk about getting some work done but of course we’d end up running the streets, sometimes until we couldn’t keep a thought in our heads, let alone actually get a song together.

Lou Reed’s 1965 demo of Velvet Underground song ‘Heroin’ has been released, ahead of a new compilation of archival material to mark what would have been his 80th birthday.The track was recorded with John Cale two years before the release of the band’s debut album, ‘The Velvet Underground & Nico’, and is around half the length of the final version.In an effort to gain copyright protection for the recording, Reed posted the tape to himself in an envelope that then remained sealed for over 50 years. It’s a myth that mailing work to yourself somehow instigates copyright protection, by the way, but that fact doesn’t seem to have harmed Reed at all.The release follows the demo version of ‘I’m Waiting For The Man’, which came out last month.

Lou Reed‘s earliest known demo of The Velvet Underground‘s ‘Heroin’ has been released.The 1965 take of the track, which you can listen to below, was put to tape by the late legendary singer-songwriter nearly two years before its release on his former band’s landmark debut album ‘The Velvet Underground & Nico’.It is the latest taste of the forthcoming ‘Words & Music, May 1965’, an archival collection which is set to be released on August 26 via Light In The Attic on what would have been the late singer-songwriter’s 80th birthday.The rare demo finds Reed accompanying himself on guitar and structurally, it is the same as the album version but it is more than three minutes shorter.It follows an early demo of ‘I’m Waiting For The Man’, which was shared last month.The songs on the album were written by Reed and recorded to tape by his future Velvet Underground bandmate John Cale. Reed posted the tape to himself as a “poor man’s copyright” and it remained sealed in its original envelope for nearly 50 years.Elsewhere on the tracklist are previously unreleased demos including ‘Buttercup Song’, ‘Buzz Buzz Buzz’ and ‘Stockpile’.

Velvet Underground multi-instrumentalist John Cale set to headline.Formerly known as the Festival of Voice, Llais takes over the Wales Millennium Centre in Cardiff Bay for five days, kicking off with the Welsh Music Prize ceremony on October 26.Other acts announced for the festival include Suede‘s Brett Anderson performing ‘Death Songbook’ with Charles Hazlewood and Paraorchestra. It debuted online at last year’s Gŵyl 2021 and will be performed in front of a live audience for the first time at Llais.Elsewhere on the line-up is South African jazz pianist Abdullah Ibrahim, Black Midi, Cat Le Bon, Midlake, Bombino, Keeley Forsyth, and Les Amazones d’Afrique.The multi-day festival includes both free and ticketed events, with live music, digital experiences, free workshops, and more on the programme.Further acts will be announced in September and tickets can be found here.The time has come to reveal your Llais 2022 line-up.

“Born in the U.S.A.,” “Purple Rain” and “Like a Virgin,” respectively — there was another classic that never saw the light of day.Leonard Cohen’s towering tune “Hallelujah” was rejected — along with the rest of his “Various Positions” album — by then-CBS Records head Walter Yetnikoff. “He said, ‘Leonard, we know you’re great, but we don’t know if you’re any good,’ ” recalls the late singer-songwriter in the new documentary “Hallelujah: Leonard Cohen, a Journey, a Song,” which opens in theaters Friday.But that would turn out to be only a “minor fall” in the song’s long ascent to the pantheon of iconic tunes.

Laurie Anderson has shared why the Lou Reed: Caught Between The Twisted Stars exhibition was nearly held in Texas but ended up in New York City instead.The archive, which chronicles the life and work of Reed through images, voices, and music from the star and his collaborators, will be hosted at The New York Public Library for the Performing Arts starting today (June 9).Anderson, Reed’s widow, recently told The New York Times that she’d first selected the Harry Ransom Center in Austin for the exhibit, but decided against that plan after Texas Governor Greg Abbot, signed the campus-carry bill in 2015. The bill allowed people licensed to carry a handgun in Texas to carry a concealed handgun on university campuses.I called them up,” Anderson said, adding: “‘This thing we’ve been talking about for a couple years? It’s off.

Jem Aswad Senior Music EditorAs part of the celebration around the late Lou Reed’s 80 th birthday, an album of his earliest demos — comprising a number of Velvet Underground classics recorded in 1965, along with several songs dating back to his college and teen years — will be released August 26 on Light in the Attic Records in partnership with Reed’s longtime partner Laurie Anderson.The album, titled “Words & Music, May 1965,” is the inaugural release from the Lou Reed Archive Series, and dovetails with the opening Thursday of an extensive Reed exhibit at the New York Public Library, titled “Lou Reed: Caught Between the Twisted Stars.” The album includes the earliest known recordings of such classics as “Heroin,” “Pale Blue Eyes,” “Iʼm Waiting for the Man” and several unreleased tracks. See the full tracklist below; listen to Reed’s 1965 demo of “I’m Waiting for the Man”:The bulk of the album is comprised of the 1965 tracks, which were recorded with the assistance of Reed’s future bandmate John Cale.

Lou Reed album will share never-before-heard material and early versions of some of the star’s most iconic songs.‘Words & Music, May 1965’ is set to be released on August 26 via Light In The Attic in partnership with Reed’s partner Laurie Anderson, in tandem with celebrations for what would be the musician’s 80th birthday.The songs on the album were written by Reed and recorded to tape by his future Velvet Underground bandmate John Cale. Reed posted the tape to himself as a “poor man’s copyright” and it remained sealed in its original envelope for nearly 50 years.The record will include the earliest known recordings of iconic tracks including ‘Heroin’, ‘Pale Blue Eyes’ and ‘I’m Waiting For The Man’.

Not many songs have been covered by so many artists like Leonard Cohen’s song “Hallelujah.” First recorded in 1984 on the underwhelmingly received Various Positions album, “Hallelujah” received little success upon its release but eventually found fame when Jeff Buckley and John Cale covered the song. However, many people know the song from the Dreamworks’ movie, “Shrek,” covered by Rufus Wainwright.

Chris Willman Senior Music Writer and Chief Music CriticBob Neuwirth, a recording artist and mainstay of the New York City folk scene in the 1960s, and a collaborator with Bob Dylan, Janis Joplin, John Cale and Peter Case, among others, died in Santa Monica Wednesday night at age 82. The cause of death was heart failure.“On Wednesday evening in Santa Monica, Bob Neuwirth’s big heart gave out,” said his longtime partner, entertainment executive Paula Batson, in a statement. “He was 82 years old and would have been 83 in June.

If you played six degrees of separation with all the important art-rock bands of the 1960s, ‘70s, and beyond—David Bowie, Lou Reed, Nico, John Cale, and The Velvet Underground, David Byrne and Talking Heads, Iggy Pop & The Stooges, Roxy Music, Devo and more—all roads lead to Brian Eno, easily one of the most important music producers and experimental musicians of all time that basically singlehandedly started the ambient music movement.

Lou Reed and John Cale’s ‘Songs For Drella’ album has been found – and it’s coming to streaming.Lachman believed that the original negatives were long lost until he unearthed them while researching Todd Haynes’ 2021 documentary film The Velvet Underground.Now, Songs For Drella will be available to stream exclusively on MUBI in the UK and Ireland from April 17. The concert film shows former The Velvet Underground bandmates Reed and Cale perform songs from their song cycle tribute album to their former manager, Andy Warhol, who died three years prior to the joint album’s release in 1990.Lachman – known for his chief photography roles on several of Haynes’ films including Far From Heaven and Carol as well his own directorial work (Ken Park, In The Hearts Of Africa) – is noted in press material as producing an “intimate” and “minimalist” film portrait.“Lachman’s camerawork reflects the elemental, stripped-down qualities of the album, with close-ups beautifully conveying the deep, fractious history between Reed and Cale,” reads part of the concert film’s description.‘”Drella’” was a nickname used for legendary pop artist Warhol by Reed and Cale (the name is a synthesis of Dracula and Cinderella).

John Cale has announced that he’ll be heading to the UK this summer for his first full run of tour dates in almost a decade.The last time the Velvet Underground multi-instrumentalist hit the road this side of the pond was for his ‘Shifty Adventures In Nookie Wood’ European tour back in October 2012.The Welsh musician’s tour will begin in Liverpool at the Royal Philharmonic Hall on July 15, before calling at Whitley Bay, York, Bexhill, Cambridge and the London Palladium, before closing out the run at Birmingham Town Hall on July 25.According to a press release, Cale will “perform songs from throughout his career, which is now in its sixth decade, and has earned him an international reputation as a musical pioneer”.“TOUR News! Hello UK I’m heading your way in July! My first extended run of UK dates in several year,” Cale said, sharing the dates on Twitter.TOUR News! Hello UK I'm heading your way in July! My first extended run of UK dates in several years. Tickets on sale Friday from https://t.co/evSuIopxNn pic.twitter.com/Yy1Ef0mELW— John Cale (@therealjohncale) February 24, 2022Tickets go on sale on Wednesday (March 2) at 10am.

Jazz Tangcay Artisans Editor“The Velvet Underground” marks Todd Haynes’ first foray into documentary filmmaking, and with the film on the Oscar documentary shortlist, Haynes could find himself making the cut for best documentary feature come Feb. 8.

Addie Morfoot ContributorDespite having never made a documentary, Todd Haynes didn’t hesitate when Universal Music Group’s David Blackman approached him in 2018 to make a nonfiction feature about the enormously influential rock band the Velvet Underground, which was initially mentored by Andy Warhol and launched the careers of Lou Reed, John Cale and Nico.The Oscar-nominated director — known for narrative features including “Far From Heaven” “Carol,” “Dark Waters” and the Bob Dylan meditation “I’m Not There” — wasn’t worried about taking on a nonfiction project because “ultimately all films are narrative experiences and are dramatic experiences.

Daniel Gellar and Dayna Goldfine’s “Hallelujah: Leonard Cohen, A Journey, A Song” begins at what is, by most definitions, the end: with Cohen’s final concert, in December of 2013. He roams the stage, growling out the title song in his trademark fedora and black suit, with all 79 of his years behind it, and it sounds like both a dirge and a celebration.

The Velvet Underground has been released – scroll down the page to watch it now.The film, titled The Velvet Underground: A Documentary Film By Todd Haynes, will arrive on Apple TV+ on October 15.In the trailer, members of the band like John Cale and Moe Tucker appear as talking heads, while archive footage of Lou Reed and the band’s one-time manager Andy Warhol also feature. “It opened your eyes to a lot of possibilities,” Cale said of the New York art scene the group were a part of.“I was interested in communicating with people who were on the outside,” Reed is heard saying over old black-and-white footage of the frontman.

The first trailer for Todd Haynes’ documentary about The Velvet Underground has been released.

Back in 1998, Haynes won over attendees at Cannes with “Velvet Goldmine,” a rock drama inspired by rock and glam musicians of the 70s, including Lou Reed. In “The Velvet Underground,” archival interviews of Reed, who died in 2013, are among the voices we hear looking back on the experimental art scene growing in New York five decades ago, led by the famous Andy Warhol.

Filmmaker Todd Haynes‘ career is arguably one long marriage of art school tendencies and an obsession with formative rock n’ roll from the ’60s and ’70s. His career began with the experimental short, “Superstar: The Karen Carpenter Story,” he then tracked the rise of glam rock in “Velvet Goldmine” and Bob Dylan‘s chameleonic shape-changing ways in “I’m Not There.” Now, Haynes turns his gaze to The Velvet Underground, the seminal 1960s art-rock group that arguably launched all forms of punk, art-rock, indie rock, and alternative music and made its primary singer/songwriter Lou Reed famous.

Rebecca Rubin Film and Media ReporterIn the first trailer for his documentary on the Velvet Underground,” director Todd Haynes takes viewers on a lightning-fast overview of the film, the era, the band and why it was so vastly influential.The doc chronicles the 1960s group, which was once managed by Andy Warhol and considered the house band of his Factory, via deeply researched archival footage, contemporary and past interviews with bandmembers — including Lou Reed and John Cale — and those around them, ranging from Warhol and Factory denizens to music executives and critics from the era.