Francis Ford Coppola: Celebs Rumors

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All news where Francis Ford Coppola is mentioned

nypost.com
How ‘The Godfather’ star James Caan taped ‘f–k you’ onto a co-star’s tongue
doomed Santino “Sonny” Corleone, the eldest son of Don Vito Corleone (Marlon Brando) and brother to Fredo (John Cazale), Connie (Talia Shire) and Michael (Al Pacino).Prior to his breakout, Oscar-nominated role in “The Godfather,” The Bronx-born Caan was best-known for roles on a slew of ’60s-era television series — including “The Untouchables,” “The Alfred Hitchcock Hour,” “Get Smart,” “Wagon Train,” “Naked City” and “Route 66” — and for playing cancer-stricken Chicago Bears running back Brian Piccolo opposite Billy Dee Williams (as Gale Sayers) in “Brian’s Song,” ABC’s tearjerking Movie of the Week which aired in November 1971.(He also appeared in several movies, including “The Rain People” in 1969, directed by Coppola — Caan’s classmate at Hofstra — and co-starring Robert Duvall, aka Corleone Family consigliere Tom Hagen.)Caan, who turns 82 on Saturday (March 26), spoke to The Post in a wide-ranging interview about his memories of filming “The Godfather,” which airs somewhere on television virtually every day — in all of its iterations — and will be re-released Tuesday (March 22) in a comprehensive 4K ultra-high-definition Blu-ray package.“One of the things that made ‘The Godfather’ successful, besides brilliant directing and writing and wonderful actors … was that everyone really enjoyed making it, and that comes off on the screen,” Caan said. “And I think the audience can tell that we were having a good time doing what we were doing up there.“Marlon was great,” Caan said of Brando.
variety.com
Academy Museum Announces Upcoming Season, Exhibits on Hollywood Founders, ‘The Godfather,’ ‘Boyz n the Hood’
Sasha Urban editorThe Academy Museum of Motion Pictures revealed the first round of exhibits for its 2022-2023 season on Monday, including a tribute to Francis Ford Coppola’s 1972 film “The Godfather” and its first permanent exhibit, “Hollywoodland,” dedicated to the founders of Hollywood.Other newly announced additions to the museum include “Regeneration: Black Cinema 1898-1971,” a tribute to French filmmaker Agnès Varda and spaces dedicated to “Boyz n the Hood” (1991), “Casablanca” (1942) and the collaborations of production designer Sarah Greenwood and set decorator Katie Spencer.“The history of film is endlessly rich and varied, which is why we envisioned the exhibitions of the Academy Museum as a continually evolving set of installations and virtual content,” said Bill Kramer, director and president of the Academy Museum. “We are delighted to present a new round of stories, explorations, moving images, props, and other objects that explore the many facets of moviemaking – from the founding of Hollywood to present day.” When the Academy Museum opened in September, it included exhibitions on Spike Lee, Hayao Miyazaki and Pedro Almodóvar, but the museum faced criticism from donors and Academy members for neglecting to include explicit mention of the Jewish founders of the Hollywood studio system.“The Jewish contributions to the film industry, from its founding to today, should be highlighted,” Haim Saban, who donated $50 million to the Academy museum alongside his wife, Cheryl, told Rolling Stone in January.
nypost.com
Talia Shire: Why I shouldn’t have been in ‘The Godfather’
she had been in her brother Francis Ford Coppola‘s shoes, she wouldn’t have hired herself for the role of Connie Corleone in “The Godfather.”Alluding to the fact that Paramount Pictures execs were mulling whether to fire director Coppola from the production she revealed, “it was really tough for Francis.”Shire, 75, added, “And I think the last thing he needed was his sister at that time … It added one more tension for him … I wouldn’t have had me on the set.”But the actress also noted that she “had to audition” for the role — and she and her big bro, now 82, eventually “enjoyed a collaborative professional relationship on that movie.”Shire, who played the challenging role of the only daughter of Don Corleone — married to ne’er do well Carlo Rizzi (Gianni Russo) — said that the harrowing scene where a clearly pregnant Connie is throwing dishes while dodging blows from her onscreen husband was difficult to shoot.“It’s a rough thing to see a pregnant woman being knocked around,” she acknowledged before explaining that legendary cinematographer Gordon Willis was “in the center of the action.”“And I had to move from place to place and I was honestly terrified because you didn’t want to do another take. Another take meant everything had to be reset and I just wanted to keep going and sometimes things wouldn’t break.
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