‘The Offer’ Review: Look How They Massacred The Story Of My Boy, ‘The Godfather’
In the history of cinema, one of the most prescient and brilliantly searing indictments of Hollywood, and of the inherent unimaginativeness pervasive in studio execs, comes via Robert Altman’s 1992 Tinseltown satire “The Player.” Specifically, the scene where Buck Henry tries to sell shallow studio exec Tim Robbins the banal idea for “The Graduate II.” Hilarious, biting, and sharp (the exec loves it, naturally), the moment speaks volumes about Hollywood’s predisposition for playing it safe, superficial sequels, and keeping that gravy train running.