Andrew Lloyd Webber: Celebs Rumors

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All news where Andrew Lloyd Webber is mentioned

starobserver.com.au
‘The Phantom…’ At The Sydney Opera House Delivers The Magic: Review
You could have heard a pin drop during the gala opening night of Opera Australia’s production of The Phantom of the Opera August 26 at the Joan Sutherland Theatre at the Sydney Opera House. The audience was packed with celebrity Sydneysiders in bow ties and gowns but the real stars of the evening were Josh Piterman, Amy Manford, and Blake Bowden.This trio of truly gifted performers, surrounded by a stunning supporting cast and orchestra, powerfully delivered the musical’s signature songs, Music of the Night, Think of Me, All I Ask of You, the awesomely beautiful Masquerade, and of course the main title song, with vitality and power.This new production of Andrew Lloyd Webber’s mega-musical adaptation of Gaston Leroux’s novel, overseen by producer Cameron Mackintosh, and director Seth Sklar-Heyn is simply superb on every level.While the story of an obsessive and dangerous love in 19th-century Paris is now familiar to many, it’s the exquisite attention to detail which delivers the magic to this new staging.The  27-piece orchestra under the musical supervision of Guy Simpson is phenomenal, and the production is elevated even further by truly glorious stagecraft. The Phantom of the OperaThe lush costuming by Jill Parker, recreating the original designs of the late Tony award-winning Maria Bjornson is stunning, and the hair and wig design by Angela Cobbin is perfection.The lighting design by Tony Award winner Paule Constable and the sound design by Mick Potter is also extraordinary, with some terrific video and projection design by Nina Dunn.There is also a wonderful use of pyrotechnics throughout the show and of course the thrilling and iconic moment when the chandelier falls towards the heads of the audience still inspires
metroweekly.com
Bringing the glam to King Herod in ‘Jesus Christ Superstar’
Jesus Christ Superstar took shape as a landmark album.Released in 1970 to resounding success, that recording captivated audiences worldwide, spawning the original Tony-nominated production, the cult classic 1973 film, and countless concerts, adaptations, and revivals — including, nearly 50 years later, director Timothy Sheader’s acclaimed London production staged by Regent’s Park Open Air Theatre.Now, Sheader and choreographer Drew McOnie’s driving, modern-dress iteration is repping the musical’s 50th anniversary on a North American tour, currently anointing the Kennedy Center Opera House with dulcet voices and shredding guitars.Performed by a youthful cast wielding microphones and playing instruments, supported by a stellar orchestra stacked behind them on scaffolding, the show strikes an agreeable balance between concert and theater.“Our production is based off the original concept album,” says Paul Louis Lessard, whose gold-lamé-frocked King Herod is an impish delight in the show, challenging Jesus to prove himself the miraculous Christ. “The idea was, if you put on the record at the beginning of our show and pressed play, what you experience with our production is what it would be like to listen to that record all the way through without stopping.”Because the production’s focus is honoring Webber and Rice’s score, Lessard adds, “our creative team was very encouraging about every performer bringing themself to the role, and making the music the priority of the show and this interpretation.
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