With a compassionate eye for the downtrodden that has characterized all Gianfranco Rosi’s work, Notturno brings three years of shooting in Middle East war zones to the screen in an impressionistic collage of ordinary people caught up in conflict.
Though very much in the luminous style of his award-winning docs Sacro GRA about the eccentric residents of Rome’s ring road (Golden Lion in Venice 2013) and Fire at Sea (Golden Bear in Berlin 2016) about the migrant crisis on the island of Lampedusa, it lacks those films’ idiosyncratic premises — and, in consequence, feels less revealing than many Arab films made on the same topic.
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