Hip-hop photographer Estevan Oriol digs into his archive and calls up old friends in order to serve up the inside scoop on his collaboration with tattoo legend Mister Cartoon.
By Peter Debruge Chief Film Critic Self-portraits are respected, if not encouraged in virtually all artforms. Except cinema.
There, when a director turns camera on themselves, it can seem indulgent, if not downright gratuitous. It’s a tricky line to walk, sharing without showing off, revealing insights no one else could while maintaining enough distance for audiences to relate.
When it goes right, audiences get something seismic, ground-breaking like “Exit Through the Gift Shop,” the Banksy bombshell dismantling of his own mystique. “LA Originals” is the opposite,
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