Filmmaker Josephine Decker has been working as a director since her first short film, “Naked Princeton,” in 2005, but she’s become more recognizable and lauded in the last few years.
With “Madeline’s Madeline” and “Shirley,” she has cemented herself as an individualistic and inventive filmmaker who can put her spin on each new genre she tackles, and in her latest, “The Sky is Everywhere,” she imbues a YA story with her distinct touch for the avant-garde.
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