A.D. Amorosi If being laid-back, charismatic and contagious were elements of Jack Harlow’s success story on his 2020 major label debut “That’s What They All Say,” with this week’s “Come Home the Kids Miss You,” those virtues reveal themselves as the rapper-songwriter’s golden stock-in-trade.
From there, Harlow builds upon his bedrock strengths and finds a heady musical elixir for his new album, a vibe more potent, direct and swaggering than on his first major label outing.With slightly less laughs and fewer basketball jokes than offered in 2020, “Come Home the Kids Miss You” has its eye toward something more romantic, but cutting, and its ear toward something more nuanced, yet bolder.
Part of the reason for the latter stems from the fact that this time out, Harlow has a hand in his album’s co-production with Angel (BabeTruth) Lopez and Rogét Chahayed.
Their unified vibe gives the listener a closer sense of what his sonics are — as opposed to that of his first album’s array of producers — and allow the sensually curvaceous chords of “Side Piece” and “First Class” (Fergie “Gorgeous” sample and all) ample breathing room without losing his debut’s lightness or savoir faire.
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