Nick Schager Film CriticCinema is a vehicle for investigating historical scars in “Isaac,” a starkly beautiful drama about a filmmaker who returns to his native Lithuania in 1964 to make a movie about a WWII slaughter, and becomes embroiled alongside his schoolmate in totalitarian trouble.
Adapted from a short story by Antanas Skema, director Jurgis Matulevicius’ feature debut — Lithuania’s entry to the Oscar international feature race — is a bleak, boozy nightmare of buried secrets, unearthed atrocities and anguished guilt.
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