How ‘Tenet’ Composer Ludwig Goransson Created Experimental Sounds Played Backwards and Forwards for the Film
variety.comJon Burlingame Most composers spend a few weeks, sometimes even a few months, on a film score. Ludwig Göransson spent a year and a half on Christopher Nolan’s “Tenet.”The time-shifting spy thriller, last year’s cerebral challenge from the maker of “Inception” and “Interstellar” (currently being promoted for multiple craft awards, including Göransson for original score) forced the Swedish composer to come up with sounds and textures that had rarely, if ever, been heard in mainstream movies.Göransson — an Oscar winner for “Black Panther,” an Emmy winner for “The Mandalorian” and a double Grammy winner for Childish Gambino’s “This Is America” — created more than five hours of music, a little more than two hours of which wound up in the movie..
Read more on variety.com