Jay Weissberg Believe the accolades: Maria Sødahl’s perceptive, heartfelt “Hope” richly deserves all the attention it’s gotten at festivals and award ceremonies since premiering in Toronto in 2019.
Naturally, any movie with such a title dealing with a terminal cancer diagnosis will have some kind of sting, but “Limbo” director Sødahl, who mined her own brush with cancer when writing the film, teases out the unexpected byways where hope is not just crushed but nurtured.
It’s hard, especially now, to want to expose oneself to a drama in which illness is the catalyst, but the rewards here are great, not just for the multi-layered screenplay but the impeccable performances by Andrea Bræin Hovig and Stellan Skarsgård.
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