fantastic). He’s also got a great sense of humor, and he’s a doctor, and he looks just like Sebastian Stan, so he seems like he might be a winner.
He even eschews social media because it’s gauche and he’s oh so romantic and he wants to take Noa on a surprise weekend getaway to a mystery location and…Whoa, red flags.
Red flags! Noa’s best friend Mollie (Jojo T. Gibbs, “Twenties”) almost derails this whole movie when she points out that, in this day and age, not having any way to track a person’s identity online, coupled with a sudden desire to move to what can only be called “a second location,” is extremely suspicious.But Edgar-Jones and Stan have such palpable, effortless chemistry, and the nimble script by Lauryn Kahn (“Ibiza”) keeps the warning signs tucked so snuggly beneath a weighted blanket of Noa’s relief from humdrum contemporary dating anxiety, that we don’t look down on her for taking a chance and going away with Steve after all.
Maybe everything will be fine! Sure, there’s no cell phone service, but — uh-oh, that’s actually never a good sign.What happens next may be slightly predictable, if only because we’re in a horror movie, but like James Wan’s awe-inspiring “Malignant,” the real surprise doesn’t stem from the plot.
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