Owen Gleiberman Chief Film Critic In Michael Mann’s heady, intricately dark, raptly absorbing “Ferrari,” there’s a quiet scene that takes place the night before the Mille Miglia, the spectacular 1,500-kilometer motorsport endurance race.
Enzo Ferrari (Adam Driver), the Italian sports-car magnate who needs to win the race (the survival of the company that bears his name depends on it), has five drivers who are scheduled to compete.
In a kind of calm-before-the-storm ritual, several of them write notes to their romantic partners, telling them how much they love them, just in case they don’t survive the race.
This is no mere superstitious formality. In the Mille Miglia, the possibility of crashing and burning, as the cars zoom at 250 kilometers per hour through the open roads of Italy (and, at one point, right through the center of Rome), is all too real.
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