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Ana De-Armas
Ana Celia de Armas Caso (born 30 April 1988) is a Cuban actress. She began her career as a teenager in her native Cuba and most notably had a leading role in the romantic drama Una rosa de Francia (2006). At the age of 18, she moved to Madrid, Spain and starred in the popular teen drama El Internado for six seasons from 2007 to 2010. After moving to Los Angeles, de Armas had English-speaking roles in the horror film Knock Knock (2015) and the crime drama War Dogs (2016). She had a supporting role in the sports biopic Hands of Stone (2016).
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‘Blonde’: Andrew Dominik, Ana De Armas & Adrien Brody Agree Their Film “Took On Some Elements Of Being A Seance”

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If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

As celluloid flickers through a projector, images cast themselves upon a screen, showing actors and people trapped in a moment of time, depicting what has once and never been.

In many respects, that sense of hauntedness, of time lost and now regained, of phantoms of actors dead but returned to life onscreen, is the spirit of the art form.

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‘Blonde’ Star Adrien Brody Recalls First Time Seeing Ana de Armas as Marilyn Monroe: ‘I Was Transported’
Michaela Zee editor The first time “Blonde” star Adrien Brody saw Ana de Armas’ transformation into Marilyn Monroe was on set right before filming their first scene together. “I was transported to another time and place,” Brody, who plays Arthur Miller (aka The Playwright), told Variety at the U.S. premiere of “Blonde” in Hollywood Tuesday night. “I really thought she channeled [Marilyn] — she brought a nuanced, emotionally present [and] connected impression of her. I’m still blown away by it. It was really impressive.” Based on Joyce Carol Oates’ novel of the same name, “Blonde” presents a reimagined version of the iconic actor’s life, from the traumatic childhood of Norma Jeane Baker to her rise to fame as Marilyn Monroe. The supporting cast includes Brody, Bobby Cannavale, Julianne Nicholson, Xavier Samuel, Evan Williams, Sara Paxton and Scoot McNairy.
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From ‘Blonde’ to ‘Gutsy': The Most Anticipated Book Adaptations Heading to Screens in September
“Partner Track,” “Lost Ollie” and seven other book-based projects found their way onto streamers last month, including HBO’s “Game of Thrones” prequel series “House of the Dragon.” September has more theatrical releases, but fewer book adaptations to look forward to. Those that are coming out this month have rich history though, especially “The Rings of Power” series that Amazon has based on J.R.R. Tolkien’s books and appendices.There’s also “The Silent Twins” starring Letitia Wright and Jodhi May as well as Andrew Dominik’s feature film “Blonde” adapted from Joyce Carol Oates’ book about the career of Marilyn Monroe.Here are six book to screen adaptations coming out in September:J.R.R.
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Toronto Film Festival Takeaways: Steven Spielberg’s Big Moment, Netflix’s Comeback and a Moribund Market
Toronto Film Festival returned in spectacular fashion after two years of virtual premieres or limited capacity screenings. The parties were packed (which may lead to COVID outbreaks down the road, but… that’s showbiz?), the red carpets were glittering and the atmosphere was electric, bordering on euphoric, as director Rian Johnson’s acclaimed sequel “Glass Onion: A Knives Out Story,” Steven Spielberg’s semi-autobiographical “The Fabelmans” and the Harry Styles-led romantic drama “My Policeman” debuted to blockbuster-starved audiences in Canada. Hollywood seemed eager to make up for lost time. So, as the curtain comes down on TIFF, here’s a look back at the major trends and takeaways from the 10-day festival.
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Ana de Armas Dazzles in Louis Vuitton at L.A. Premiere of 'Blonde'
Ana de Armas is gracing the red carpet at the premiere of her new Netflix movie!
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Ana de Armas Details 3-Hour Transformation into Marilyn Monroe for 'Blonde' (Exclusive)
Ana de Armas is sharing all the details behind her extensive transformation into Marilyn Monroe for her new film, . ET's Matt Cohen spoke to de Armas at the film's Hollywood premiere, where she said she spent three hours in the hair and makeup chair to portray the blonde bombshell.«That was quite a journey every day,» the 34-year-old actress said about the physical transformation she underwent for the film.
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How Ana De Armas was haunted by Marilyn Monroe’s ghost: ‘She would also throw things off the wall’
Ana de Armas is opening up about her experience on the set of the highly anticipated Netflix film ‘Blonde’ and it seems things got a little strange. The Hollywood star revealed that she felt very close to Marilyn Monroe, while portraying the movie legend. “I truly believe that she was very close to us.
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All we know about Ana de Armas' current relationship
Ana de Armas is attracting all kinds of attention for her acting chops lately, having skyrocketed to general acclaim ever since her star-making turn in 2019's Knives Out.MORE: Did you notice Ana de Armas' tribute to Marilyn Monroe at Venice Film Festival?The actress is particularly gaining significant traction for her portrayal of Marilyn Monroe in the upcoming Blonde, which received the longest standing ovation at the Venice Film Festival.VIDEO: Ana de Armas is Bond girl stunning in fragrance advertHowever, another aspect of her life which has been receiving quite a bit more attention is her relationship, as she prefers to keep that side a bit more private.The star has been linked to Tinder executive Paul Boukadakis, with several pictures having emerged of the two together, although neither have confirmed the romance.The two have been spotted together on a few occasions in New York and Los Angeles since they were first reportedly set up in June of 2021.MORE: Ana de Armas nailed end of summer dressing in shorts suit at Venice Film FestivalPictures of the two were even shared by DailyMail which saw them take in the sights of the beautiful city by the water.Their relationship was seemingly confirmed when they were first spotted together in New York in September of 2021 in pictures published by Extra.
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Ana de Armas Receives Deauville Fest’s Young Hollywood Award, Pays Homage to ‘Cinephile Grandfather’ Who Gave Her ‘Big Dreams’
Elsa Keslassy International Correspondent Rolling off a banner world premiere of Andrew Dominik’s “Blonde” at the Venice Film Festival, Ana de Armas’s next stop was the Deauville Film Festival in France where she received the Hollywood Rising-Star Award on Friday (Sept. 9) in the jam-packed Palais des Congres. Attended by Dominik and the film’s producers, the ceremony was followed by the French premiere of the Netflix movie, in which de Armas delivers a riveting performance as Marilyn Monroe. De Armas, who notably starred in “Knives Out,” “No Time to Die” and “Grey Man,” succeeds Dylan Penn, Sophie Turner, Elle Fanning and Shailene Woodley as recent recipients of the Hollywood Rising Star Award.
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Ana De Armas Says Blonde Movie Set Was Haunted By Marilyn Monroe!
And you thought Don’t Worry Darling was the only film at Venice where the making-of would be more exciting than the actual movie!
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Ana de Armas cries as ‘Blonde’ receives a 14-minute standing ovation at the Venice Film Festival
Ana de Armas is a proud actress. The 2022 Venice Film Festival comes to an end tomorrow and Thursday saw the world premiere of the highly anticipated film about Marilyn Monroe’s life, Blonde. Once the movie ended, there was a 14-minute long standing ovation.According to Variety, the Cuban-Spanish actress was glowing as tears ran down her face.
Brad Pitt Marilyn Monroe Ana De-Armas Adrien Brody Julianne Nicholson Dede Gardner Marc Rosen Britain Spain Cuba movies Ana de Armas
nypost.com
‘Blonde’ reviews: Critics drool over Ana de Armas, ‘uncanny’ as Marilyn Monroe
Marilyn Monroe biopic “Blonde” starring Ana de Armas premiered at the Venice Film Festival Thursday, earning praise from several critics for its portrayal of the 1950s blonde bombshell. Adapted from the Joyce Carol Oates novel of the same name, the film runs nearly three hours and received a 14-minute standing ovation from the crowd, which caused de Armas to break down into tears, according to Variety.“Andrew Dominik’s Venice Film Festival competition entry ‘Blonde’ takes a blowtorch to the entire concept of the Hollywood biopic and arrives at something almost without precedent,” Deadline’s critic said.“[‘Blonde’] is simply inventing fresh indignities for the most positively, permanently persecuted heroine outside of a John Waters movie ever to have to suffer.” As Netflix’s first film with an NC-17 rating, “Blonde” sparked backlash almost instantly when it debuted its first trailer in July over the casting of de Armas due to the fact that she is Cuban and her accent was not “authentic.”Variety’s critic Owen Gleiberman disagreed in his review, saying the film is “built around a performance, by Ana de Armas, of breathtaking shimmer and imagination and candor and heartbreak.
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The Blonde Premiere Was Filled With Odes to Marilyn Monroe
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Ana de Armas chose to pay tribute to not one but two a classic Marilyn Monroe style moments. The Cuban actress hit the Venice Film Festival red carpet for the premiere of  'Blonde' where she plays the legendary 1950’s film star in the upcoming Netflix biopic.  Apparently Ana broke down in tears at the end of the screening, after receiving a 14-minute standing ovation for her dazzling portrayal of Marilyn.
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Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.
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‘Blonde’ Premiere Photo Gallery: Ana de Armas Channels Marilyn Monroe At Venice Film Festival
Hollywood’s glory days were on full display Thursday as the cast of Blonde, with star Ana de Armas resplendent in a pink full-length gown, walked the red carpet before the film premiered in the Palazzo del Cinema at the 79th Venice Film Festival.
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‘Blonde’ With Ana De Armas As Marilyn Monroe Gets 11-Minute Standing Ovation At Venice Film Festival – Watch The Video
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Ana de Armas Channels Marilyn Monroe at Venice Film Festival 'Blonde' Premiere, Brad Pitt Also in Attendance
Ana de Armas channeled Old Hollywood glamour at the Venice Film Festival premiere on Thursday, honoring her onscreen character, Marilyn Monroe, with an elegant pink gown and understated white jewelry. The film is a nearly three-hour adaptation of Joyce Carol Oates' 700-page novel of the same name. De Armas told this week that the film «changed my life,» adding that «I did this movie to push myself, because I thought it was a gift.» De Armas floated down the carpet in a flowing coral pink dress with a deep neckline and tie at the waist.
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‘Blonde’ Film Review: Ana de Armas Recreates Marilyn and Norma Jean, in Black and White and Technicolor
“Blonde.” Start with a base of biographical fiction, add three parts mid-century photography, a heavy dash of bitters, a wash of bad taste and top with a Lynchian float. You’ll have something that kicks hard, if leaving you somewhat worse for wear once the intoxicants run their course. And to push this analogy further than needed (hey, “Blonde” is a film of excess), director Andrew Dominik’s long-awaited Marilyn Monroe biopic is somehow less about the actress and more about his own showmanship.
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First ‘Blonde’ Reviews Praise Ana de Armas’ Performance as Marilyn Monroe: ‘Almost Scarily Committed to the Role’
Sophie Monks Kaufman of IndieWire writes that Dominik doesn’t quite give enough effort in saying or showing something about the pop culture icon. “The film is Dominik’s finger pointed at everyone who had a hand traumatizing his leading lady, from her mother trying to drown her in the bath aged 7 to her death from an overdose of barbiturates at 36 after being used and abused by the Hollywood machine,” Kaufman adds.Vanity Fair’s Richard Lawson also points out the exploitation employed in the movie, noting the “boldly and complexly mounted” technique “could actually be in service of something far simpler and more base.”“‘Blonde’is a film partly about exploitation that might be exploitative itself. If the film is aware of that meta function, then there’s something interesting happening in it,” Lawson’s review continued.
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variety.com
Casting director Bonnie Timmermann Talks Ana de Armas, Mark Ruffalo, Ashley Judd, Viggo Mortensen
Marta Balaga Casting director Bonnie Timmermann, behind such films as “Heat” and “Dirty Dancing,” finds herself on the opposite side of the camera in Venice doc “Bonnie,” directed by Simon Wallon. Brian Cox, Mark Ruffalo, Benicio del Toro and Melissa Leo are featured, while Kinology is handling sales. “It’s almost as if she was the one being auditioned. I wanted to treat her almost like a character in a movie. She is looking straight into the eyes of the audience,” says Wallon. Adapting to the new role was hard, Timmermann tells Variety in Venice, but luckily it came with some perks.
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Brad Pitt Supports Ana de Armas & 'Blonde' Cast at Venice Film Festival Premiere!
Brad Pitt joins Ana de Armas and the rest of the cast of Blonde on the red carpet at the film’s premiere during the 2022 Venice Film Festival Thursday (September 8).
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‘Blonde’: Andrew Dominik, Ana De Armas & Adrien Brody Agree Their Film “Took On Some Elements Of Being A Seance”
If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.
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Venice Review: Ana De Armas As Marilyn Monroe In Andrew Dominik’s ‘Blonde’
Forget Seberg, forget Mank, forget Judy — Andrew Dominik’s Venice Film Festival competition entry Blonde takes a blowtorch to the entire concept of the Hollywood biopic and arrives at something almost without precedent.
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‘Blonde’ Review: Andrew Dominik’s Fictionalized Biopic Of Marilyn Monroe Is A Relentless, Brutal Statement On Celebrity
No film at the Venice Film Festival not called “Don’t Worry Darling” has attracted such morbid fascination as Andrew Dominik’s Marilyn Monroe not-a-biopic, “Blonde.” Turns out that “morbid” qualifier is soft, to say the least: to call “Blonde” relentless would be about as immense an understatement as one can conjure of a movie that subjects its lead, Ana de Armas’ fictionalized Monroe, to two hours and forty-seven minutes of unending sexual torture, leering voyeurism, and devastating dehumanization.  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch Much has already been made about the X-ratedness of it all, but god, this is — by design — soul-sapping stuff, leaving you bloodied and brutalized.
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‘Blonde’ Review: Ana de Armas Does Just What You Want — She Becomes Marilyn Monroe — in Andrew Dominik’s Flawed but Haunting Biopic
Owen Gleiberman Chief Film Critic A good biopic invites the audience to experience, from the inside out, who the subject really was. That’s the level that “Blonde,” Andrew Dominik’s film about Marilyn Monroe, operates on for most of its 2 hours and 46 minutes. Based on Joyce Carol Oates’ 2000 novel, the movie is a hushed and floating psychodramatic Klieg-light fantasia, shot in color and black-and-white, that presents a fusion of reality and fiction. But most of it is torn from reality. In “Blonde,” we glimpse Monroe’s cataclysmic childhood, watch her shoot key scenes from her movies or stare up at them from the audience of a Hollywood premiere (where the red-carpet flashbulbs sound like guns), see her turn the incandescent Marilyn wiggle and pizzazz on and off, see her caught in a maelstrom of drugs, gossip, self-hate, and unfair studio contracts, and watch her melt into the glow of pregnancy only to lose one baby after the next. Mostly, we eavesdrop on her relationships with men (Joe DiMaggio, Arthur Miller, JFK) who become, for Marilyn, a dysfunctional daisy chain of honeymoon-turned-nightmares.
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justjared.com
Ana de Armas & Adrien Brody Join 'Blonde' Cast At Venice Photo Call
Ana de Armas and Adrien Brody pose with their Blonde co-star Julianne Nicholson and writer and director Andrew Dominik during the film’s Thursday (September 8) photo call at the 2022 Venice Film Festival.
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Ana de Armas, Adrien Brody on Andrew Dominik’s Venice Title ‘Blonde’: ‘Marilyn Monroe Was Approving of What We Were Doing’
Naman Ramachandran The spirit of Marilyn Monroe was very much present during the making of Andrew Dominik’s “Blonde,” according to the film’s talent. Produced by Brad Pitt’s Plan B Entertainment, the film, which is in the main competition at the Venice Film Festival, is a fictionalized version of the life of the iconic actor and is based on the bestselling novel by Joyce Carol Oates. The film traces the volatile childhood of Norma Jeane Baker, through her rise to stardom as Marilyn Monroe and her romantic entanglements. It blurs the lines of fact and fiction to explore the widening split between her public and private selves. Ana de Armas (“No Time to Die”), who plays Norma Jeane/Marilyn, Adrien Brody (“The Pianist”), who plays her second husband, and Julianne Nicholson, who plays her mother, were present at a press conference for the film at Venice, alongside Dominik.
Brad Pitt Ana De-Armas Adrien Brody Julianne Nicholson Andrew Dominik Joyce Carol Oates Norma Jeane Los Angeles film actor Arma
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