It should come as a surprise to no one that I’m not a Tyler Perry fan. For a myriad of reasons: from the inconsistent quality control, the harmful stereotypes that proliferate his movies, and the rampant misogynoir in his work— his vision of Blackness disturbs me.
And yet, my younger sisters love his movies. As do my other relatives. They feel seen by his work whereas mainstream filmmaking overlooks them.
So, when I sat in my seat for the World Premiere of his latest film, “A Jazzman’s Blues,” I sat with a bundle of complicated feelings to watch a filmmaker I find neither appealing nor intriguing.
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