Dennis Harvey Film CriticStriking a middle ground between teen fantasy “The Craft” and deadly serious political allegory “The Handmaid’s Tale” is “Witch Hunt,” writer-director Elle Callahan’s second feature.
Her first, the 2019 “Head Count,” was a strikingly assured supernatural mind-bender, albeit one a little too understated for some genre fans.
By contrast, this sophomore effort is comparatively conventional and straightforward in depicting paranormal themes, even given the added fillip of overt current-events commentary.
It’s a more uneven work nonetheless, with some odd storytelling missteps and signs of budgetary constriction. Still, the fanciful tale of minority persecution in a U.S.
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