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Venice Review: ‘Mona Lisa And The Blood Moon’

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Real psychiatric hospitals haven’t used straitjackets for decades, but no self-respecting genre filmmaker is going to let that get in her way.

From the moment Mona Lisa And The Blood Moon provides a ceiling’s-eye view of Jeon Jong-seo writhing on the white floor of her white hospital room, buckled up inside a canvas wrap, we know exactly where we are.

Man, that chick is crazy, blip city! That’s what that straitjacket is telling you. So! In comes a trash-talking blonde who makes Nurse Ratched look like Mother Teresa; after calling straitjacket-girl stupid and hitting her head a couple of times, she pulls out a pedicure set full of sharp things for slicing off horny toenails.

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