Jay Weissberg Ten years ago in January, the people of Egypt took to the streets to demand the fall of President Hosni Mubarak and his regime.
It was the most spectacular of the revolutions during the so-called Arab Spring both in numbers and media coverage, as well as for the abject failure of its goals.
Manal Khaled’s long-gestating, aptly-named “Trapped” is composed of three stories set in those early days, when people from all walks of life were thrown together during the struggle for freedom, sharing their fears and hopes with strangers.
The film is a relic in some aspects, begun in that heady time but only finished now, trying hard to resurrect the moment in a way that still feels relevant.
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