Dennis Harvey Film CriticThough it will forever be associated with one brief mid-1970s heyday, the disaster-movie genre has made a stealth comeback in recent years, being a natural fit for a cinematic era dominated by CGI-laden action fantasies.
Of course Hollywood has kept its hand in, with efforts like “San Andreas” and “Pompeii.” But there have also been parries as far afield as China, whose enjoyably ridiculous, volcano-centric “Skyfire” from late 2019 only reached the U.S.
this year.No country has been as assiduous in reviving that Charlton Heston spirit, however, as Norway — which has produced just three so far, but then that’s a not-inconsiderable share of its big-budget feature output in recent years.
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