Daniel D'Addario Chief TV CriticThe true-crime tale has lately dominated scripted TV, with miniseries-length dissections of infamous incidents coming thick on the ground.
Many of these shows have played as flat reenactments that don’t earn the running time they demand, serials that seem to be more interested in checking items off a list to get us to an opinion about “what really happened” than in finding something transformative in a familiar story.
So it comes as a surprise that HBO Max’s “The Staircase” does exactly what its title implies, taking the audience beyond the first level and reaching for a second, elevated story.This show dramatizes the events covered in the French documentary series of the same title — made in 2004 by director Jean-Xavier de Lestrade and available on Netflix.
Both projects are about the death of Durham, N.C., woman Kathleen Peterson, possibly at the hands of her husband, Michael. Here, the two are played by Colin Firth, under suspicion in the show’s present, and by Toni Collette, shown in flashbacks blithely unaware of her impending fate.
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