Ayanna Prescod Thornton Wilder’s allegorical play “The Skin of Our Teeth” is bizarre, abstract and convoluted; it’s not to be taken seriously.
Or so Sabina (Gabby Beans) tells the audience at Lincoln Center Theater’s Broadway revival of the 1942 Pulitzer Prize-winning play by Thornton Wilder.
But don’t listen to her: There are definitely things to take seriously here, as the themes of this 80-year-old work, courageously but unevenly directed by Lileana Blain-Cruz, remain relevant and vital to be reckoned with by contemporary audiences.The play is organized around a mystifying philosophical concept.
The follow-up to Wilder’s other Pulitzer Prize winner “Our Town,” “The Skin of Our Teeth” is a three-act lesson on survival and the ability to start anew.
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