From the beginning, the main criticism on Lucasfilm’s “The Mandalorian,” a show about Mandalorian Bounty Hunter, Din Djarin (Pedro Pascal), and the little Baby Yoda creature he’s been tasked with protecting, Grogu, was that the series was very episodic.
After coming into contact with Grogu and becoming his ward in a fascinating “Lone Wolf and Cub”-like dynamic, that initially felt fresh and like a strange “Star Wars” Western, “The Mandalorian” quickly settled into a familiar pattern.
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