Peter Debruge Chief Film CriticPlaywright Stephen Karam hasn’t just made a movie out of his Tony-winning play “The Humans”; he’s made an A24 movie, with all the idiosyncrasies and directorial self-indulgences that implies.Over the course of just eight years, A24 has established itself as a distributor for which out-there creative gambits aren’t merely permitted; they’re downright encouraged.
The result has been a situation in which audiences perceive the company — which has produced such films as “Lady Bird,” “The Lighthouse” and “Uncut Gems” — as a reliable curator of movies that challenge mainstream, mass-market expectations.
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