Jay Weissberg The producers and funding bodies behind “The Furnace” took quite a chance when they agreed to back Roderick MacKay in his debut feature, yet clearly the young writer-director knows how to sell his vision just as well as he knows how to make a movie.
Set in the deserts of Western Australia in the late 19th century, this ambitious, ethnically diverse and visually dramatic Western about an Afghani camel driver and a hard-bitten gold thief in the outback is a classic oater on every level, reminiscent of the more sensitive Westerns of the 1970s in which natives are accorded dignity and depth and moral quandaries aren’t black and white.
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