Jessica Kiang In a series of beautiful and devastated frames within frames, Ukrainian director Valentyn Vasyanovych’s “Reflection” sets up a chain of shiveringly precise parallels — or rather, moral mirror-images — between the life and psyche of a civilian and the actions and reactions of that same man in war.
A surgeon’s table is swapped for a cement torture plinth. Paintball pellets spackling a clear wall become bullets shattering a windshield.
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