Vincent Lindon: Celebs Rumors

The latest movie from French filmmaker Claire Denis, Fire (or Both Sides Of The Blade), premieres tonight at the Berlin International Film Festival.

IFC Films has nabbed U.S. rights to “Fire,” the new drama from celebrated French director Claire Denis. The pact marks the first major domestic deal of the Berlinale 2022 competition.World premiering next week at the Berlin Film Festival, “Fire” is headlined by two of France’s biggest stars, Juliette Binoche (“The English Patient”) and Vincent Lindon (“Titane”).

Ben Croll Though local theatrical exhibitors have yet to find their pre-pandemic footing, the myriad technicians making up Paris’ 160,000-strong production workforce have never had so much to do. Buoyed by the local industry and sent to the stratosphere by the demand of international streamers, audiovisual production has soared in Paris and its surrounding region.As film production has returned to its 2019 level, the rate of television work has more than doubled between 2020 and 2021, and the reasons for this boom come with little mystery.

Nick Vivarelli International CorrespondentBerlin Film Festival artistic director Carlo Chatrian on Wednesday unveiled the full lineup for the fest’s 72nd edition which he is hellbent on holding as an in-person event despite the global spread of the omicron variant, even after other top fests such as Sundance and Rotterdam have thrown in the towel and gone online.Chatrian spoke to Variety about the selection and what he expects his “exercise in resistance,” as he has called it, to be like on the ground in Berlin.Yes. Despite everything that is happening, the willingness and desire to be part of the festival on the part of production companies, sellers, actors and directors is very strong. I was even moved a couple of weeks ago when they told me that Paolo Taviani, who is 91, really wants to come at any cost. I think filmmakers are pining to be reconnected [with audiences] and the Berlinale even more than other festivals gives that sense, because you are at the center of a city.

Elsa Keslassy International CorrespondentAudrey Diwan’s “Happening” won best film and actress for Anamaria Vartolome at France’s Lumière Awards on Monday evening. “Happening,” which won the Golden Lion at the Venice Film Festival and was acquired by IFC Films, beat out Leos Carax’s “Annette,” Emmanuelle Bercot’s “Living,” Xavier Giannoli’s “Lost Illusions” and Arthur Harari’s “Onoda: 10,000 Nights in the Jungle.” Julia Ducournau’s Cannes’ Palme d’Or winning “Titane” was surprisingly snubbed from the best film and director categories.

The National Society of Film Critics has named Drive My Car for its Best Picture Awards of 2021.

Best Picture: “Drive My Car” (48 points)Runners-up: “Petit Maman” (25), “The Power of the Dog” (23)Best Actor: Hidetoshi Nishijima, “Drive My Car” (63)Runners-up: Benedict Cumberbatch, “The Power of the Dog” (44); Simon Rex, “Red Rocket” (30)Best Actress: Penelope Cruz, “Parallel Mothers” (55)Runners-up: Renate Reinsve, “The Worst Person in the World” (42); Alana Haim, “Licorice Pizza” (32)Best Supporting Actor: Anders Danielsen Lie, “The Worst Person in the World” (54)Runners-up: Vincent Lindon, “Titane” (33); Mike Faist, “West Side Story” (26) and Kodi Smit-McPhee, “The Power of the Dog” (26)Best Supporting Actress: Ruth Negga, “Passing” (46)Runners-up: Ariana DeBose, “West Side Story” (22); Jessie Buckley, “The Lost Daughter” (21)Best Director: Ryusuke Hamaguchi, “Drive My Car” and “Wheel of Fortune and Fantasy” (46)Runners-up: Jane Campion, “The Power of the Dog” (36), Celine Sciamma, “Petite Maman” (28)Best Screenplay: Ryusuke Hamaguchi and Takamasa Oe, “Drive My Car” (46)Runners-up: Pedro Almodovar, “Parallel Mothers” (22); Paul Thomas Anderson, “Licorice Pizza” (20)Best Nonfiction Film:Runners-up:Best Cinematography: Andrew Droz Palermo, “The Green Knight” (52)Runners-up: Ari Wegner, “The Power of the Dog” (40); Sayombhu Mukdeeprom, “Memoria” (35)Special citation for film awaiting U.S. distribution: “Returning to Reims,” Jean-Gabriel PeriotFilm Heritage Award: Bertrand Tavernier and Peter BogdanovichFilm Heritage Award: Maya Cade for the Black Film Archive

Best Film: “Drive My Car”Runner-up: “The Power of the Dog”Best Director: Jane Campion, “The Power of the Dog”Runner-up: Ryusuke Hamaguchi, “Drive My Car”Best Actor: Simon Rex, “Red Rocket”Runner-up: Benedict Cumberbatch, “The Power of the Dog”Best Actress: Penelope Cruz, “Parallel Mothers”Runner-up: Renate Reinsve, “The Worst Person in the World”Best Supporting Actor: (tie) Vincent Lindon, “Titane,” and Kodi Smit-McPhee, “The Power of the Dog”Best Supporting Actress: Ariana DeBose, “West Side Story”Runner-up: Aunjanue Ellis, “King Richard”Best Foreign-Language Film: “Petit Maman”Runner-up: “Quo Vadis, Aida?”Best Documentary/Nonfiction Film: “Summer of Soul”Runner-up: “Procession”Best Animated Film: “Flee”Runner-up: “Belle”Best Screenplay:

Vincent Lindon is the heart of “Titane.” Since French director Julia Ducournau’s provocative new film premiered at Cannes Film Festival, making her the second woman to win the coveted Palme d’Or, similar to her first film “Raw,” it’s developed a near-mythical reputation as one of the wildest films ever. However, this wild movie is also a tender story, one concerning the love and loneliness felt by a mourning father.

“When I write, I always write about the image first,” explains French director Julia Ducournau. It’s her indelible, singular use of imagery that made her previous film, “Raw,” about a vegetarian who becomes a cannibal, a movie that led to an audience member fainting during a 2016 screening at the Toronto International Film Festival.

EXCLUSIVE: Julia Ducournau, Agathe Rousselle, and Vincent Lindon were met with a five-minute standing ovation after the premiere of Ducournau’s second feature film Titane at the 57th annual York Film Festival. I could see emotion wash over the trio from where I was sitting, as they became overwhelmed by the moment. 

Pat Saperstein Deputy EditorFrench director Julia Ducournau, who burst onto the world filmmaking scene in 2016 with her first feature “Raw,” is changing the vocabulary of cinema with her heart-stopping imagery and boundary-blurring approach to genre.That originality helped propel her second film, “Titane,” to a Palme d’Or in Cannes this year, making Ducournau just the second woman to win the prestigious prize after Jane Campion. “Titane” is the story of a young woman who has a metal plate fitted in her skull after a terrible accident as a child.

Director Julia Ducournau poses with Vincent Lindon and Agathe Rousselle for the premiere and panel of their movie, Titane, during the 2021 New York Film Festival at Alice Tully Hall, Lincoln Center on Sunday (September 26) in New York City.

Guy Lodge Film CriticIn “The Measure of a Man” (2015) and “At War” (2018), director Stéphane Brizé and actor Vincent Lindon dramatized the working-class struggle with a calm reserve that didn’t cool or dilute the films’ rage.

When Julia Ducournau‘s last film, 2016’s “Raw,” premiered in the International Critics’ Week section of that year’s Cannes Film Festival, it generated massive amounts of buzz. That translated to a bump up to the main competition for her new film, “Titane,” and in the end, taking home the big best picture prize, aka the Palme d’Or.

Stéphane Brizé’s “Another World” could make for a worthy conclusion to an unofficial trilogy on contemporary economic relations, following the French filmmaker’s recent efforts “The Measure of a Man” and “At War.” Each work deploys the empathy machine of cinema to demonstrate the brokenness of a system powered by a dehumanizing focus on profits over all else, albeit leveling that critique from a different vantage point at each step along the way.

EXCLUSIVE: French filmmaker Stéphane Brizé reteams with frequent collaborator Vincent Lindon for Another World (Un Autre Monde), a Venice Film Festival competition entry that debuts today. Above is a clip from the drama that focuses on an executive, his wife and their family, at the point when his professional choices are about to overturn all their lives. Wild Bunch has international sales with CAA on North America.

Ben Croll Thanks in part to his work with auteurs Benoit Jacquot, Claire Denis and Stéphane Brizé, Vincent Lindon had long become something of a festival-world habitué, a sturdy and reliable fixture on the international circuit.

What do you do if you’ve just won the top Palme d’Or prize and major critical acclaim at the Cannes Film Festival? If you’re the studio Neon, you give the film in question, the body horror “Titane,” a plum fall Oscar-worthy release date in the U.S., and you also hew it towards Halloween, given its darker and f*cked up tendencies. Neon has just announced that “Titane,” directed by acclaimed French filmmaker Julia Ducournau (“Raw“), has been given an October 1 release date in the U.S.

We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having.

Video: Director Julia Ducournau returns to Cannes with mysterious new film ‘Titane’ (France 24)Spain's first heatwave of summer as temperatures reach 44 CCuba arrests activists as government blames unrest on US interferenceArmy's helicopter crews prepare Bastille Day celebrationsDeath toll in Iraq Covid hospital fire rises to 66, says health officialsAt leat 32 dead following unrest linked to Jacob Zuma's arrestCovid-19 cases are rising in some New-York's neighbourhoodsFrance's Macron addresses the nation as Covid-19 Delta variant surgesMacron: "The equation is simple: the more we vaccinate, the less the virus can spread"Victorious Euro 2021 Italy return to heroes' welcome after England victoryCuba blames unrest on US 'asphyxiation' as

What’s one of the most anticipated film of 2021? French filmmaker Julia Ducournau‘s “Titane,” the follow-up to her critically-acclaimed horror film “Raw.” Starring Agathe Rousselle and Vincent Lindon, the movie is a thriller about a long-lost child who returns suddenly, but what seems to be the end of a long nightmare soon turns into something else. READ MORE: 52 Films Directed By Women To Watch In 2021 The film is also set to debut at the Cannes Film Festival.

Naman Ramachandran Altitude and Film4 have acquired writer/director Julia Ducournau’s Cannes Film Festival competition title “Titane” for U.K.

Suzanne Lindon writes, directs and stars in her impressive debut feature Spring Blossom (Seize Printemps), which was part of the special 2020 Cannes Film Festival Official Selection and releases in select U.S. theaters May 21 via KimStim Films after a European run. The daughter of French film actors Sandrine Kiberlain and Vincent Lindon, she wrote the screenplay when she was just 15, and her authentic perspective shines through this tale of teenage romantic obsession.

Production has wrapped on Fire (Feu), the latest movie from French filmmaking royalty Claire Denis. Pic stars heavyweight actors Juliette Binoche and Vincent Lindon, appearing opposite each other for the first time, in a love triangle story about a woman caught between two men – her long-time partner and his best friend, her former lover.

While they are giants in the world of French filmmaking and recognized as international talents, it seems strange to think that the first time Juliette Binoche and filmmaker Claire Denis worked together was only in 2017 on “Let The Sunshine In.” They quickly followed that up with “High Life” in 2018 starring Robert Pattinson and perhaps they’re now making up for lost time as Binoche will now star in a third upcoming film from the filmmaker known for “White Material” with Isabelle Huppert, and “Trouble Every Day” with Vincent Gallo among others.

While they are giants in the world of French filmmaking and recognized as international talents, it seems strange to think that the first time Juliette Binoche and filmmaker Claire Denis worked together was only in 2017 on “Let The Sunshine In.” They quickly followed that up with “High Life” in 2018 starring Robert Pattinson and perhaps they’re now making up for lost time as Binoche will now star in a third upcoming film from the filmmaker known for “White Material” with Isabelle Huppert, and “Trouble Every Day” with Vincent Gallo among others.

High Life and Beau Travail filmmaker Claire Denis has revealed details of her upcoming project Radioscopie, a story set in the world of French radio which is set to star Juliette Binoche and Vincent Lindon.

Elsa Keslassy International CorrespondentClaire Denis, the versatile French auteur behind “Chocolat” and “High Life,” is set to direct Juliette Binoche and Vincent Lindon in “Radioscopie,” a movie set in the French radio world.Denis last directed Binoche and Robert Pattinson in “High Life,” an erotic space odyssey which garnered buzz at Toronto last year. Denis was supposed to shoot “The Stars at Noon,” a thriller based on Denis Johnson’s 1986 novel, with Pattinson and Margaret Qualley, this year but filming was postponed due to the pandemic.“Radioscopie” will be produced by Denis’ regular producer Olivier Delbosc at Paris-based Curiosa Films.

Elsa Keslassy International CorrespondentSuzanne Lindon, the 20-year old star and filmmaker of “Spring Blossom,” was born into French cinema royalty, being the daughter of famed French actors Vincent Lindon and Sandrine Kiberlain; but the spirited young woman was determined early on to plow her own path towards acting. While Lindon initially wrote “Spring Blossom” as a vehicle to make her first foray into acting with an ideally-crafted leading part, the film has now established her as a promising young director.