When Julia Ducournau‘s last film, 2016’s “Raw,” premiered in the International Critics’ Week section of that year’s Cannes Film Festival, it generated massive amounts of buzz.
That translated to a bump up to the main competition for her new film, “Titane,” and in the end, taking home the big best picture prize, aka the Palme d’Or.
READ MORE: ‘Titane’ Teaser Trailer: Julia Ducournau Returns With A Creepy Cannes-Bound Thriller As grotesque as “Raw” and its irrepressible appetites were, by all accounts, “Titane” is very weirder, more aggressive, bizarre, horrific, and transgressive, but most reviews (like ours) and synopses are vague to hold back the film’s many surprises.
Read more on theplaylist.net
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