Vincent Lindon Cannes Film Festival Julia Ducournau Agathe Rousselle Bertrand Bonello cannes Cannes 2021 Vincent Lindon Cannes Film Festival Julia Ducournau Agathe Rousselle Bertrand Bonello

‘Titane’: The New flesh Is Thriving, Living Rent-Free in Julia Ducournau’s F*cked Up Metallica Brain [Cannes Review]

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We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having. “Titane,” Ducournau’s follow-up to her sensational debut “Raw,” is roughly seven horror movies plus one bizarrely tender parent-child romance soldered into one machine and painted all over with flames: it’s so replete with startling ideas, suggestive ellipses, transgressive reversals and preposterous propositions that it ought to.

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