Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.
Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.
Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.
There’s nothing like working with a true visionary to bring out the best in an actor. In the new episode of Variety‘s “Actors on Actors” series, “Parallel Mothers” star Penélope Cruz and “The Power Of The Dog” star Benedict Cumberbatch sit down for a chat. READ MORE: Penélope Cruz Explains Her And Javier Bardem’s Strict ‘No Social Media’ Rule For Their Children In the conversation, the actors talk about getting to work with “master” directors like Pedro Almodóvar and Jane Campion on their respective films. “We rehearsed four and a half months.
I love having directors that want to give you that time,” Cruz says of Almodóvar’s process. “I enjoy every single moment of the process with him — of trying everything, making mistakes, not being afraid of doing it all wrong.” “I had a similar experience with Jane,” Cumberbatch says. “It wasn’t just rehearsing.
It was just letting the character marinate, talking about him, trying to discover him and his past. And like you said, all the kinds of skill acquisition I had to master, from the accent to the roping to banjo playing and whittling.
But really the most important thing was just excavating him and his psyche. The only time I’ve really experienced that before, certainly not in a film, was in the theatre.” Cruz adds, “Pedro and Jane have something in common that is very rare.
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