It would be a great mistake, sight unseen, to pigeonhole Ulrike Ottinger’s “Paris Calligrammes” as just another nostalgia-filled personal documentary about how amazing life was in Paris in the 1960s.
Where others self-servingly wax lyrical about being in the nexus of the Left Bank’s Golden Age of hipness and activism, Ottinger takes us through this formative time of her life in a way that deftly balances past and present to paint a picture of a threshold era of both positives and negatives.
Recounted in the director’s own measured voiceover (the English version features Jenny Agutter while the French version has Fanny Ardant) and largely composed of found footage, film clips and home movies, the film reflects the director’s generosity of
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