Manuel Betancourt Violence — or, rather, the threat of violence — haunts every frame of João Paulo Miranda Maria’s debut feature film, “Memory House.” Set in an Austrian settlement in Southern Brazil, this discomfiting drama tells the story of a man so alienated by the world around him that the stench of death at work and the menacing environment outside it have hollowed him out.
That is until his titular dwelling kicks off a transformation that turns Miranda Maria’s character study into a folk-infused fable for a country in crisis.Cristovam (played by Antonio Pitanga, an iconic figure of Brazil’s Cinema Novo) spends his days listlessly working at a dairy factory.
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