Jessica Kiang It has probably come to your attention that time has gone all squirrelly recently. Every day we wake, 40 years older than yesterday, yet also in a state of suspended animation, all development arrested.
An instant can last an eon, and yet in the time it takes for a tap to drip, our page-a-day calendars have somehow riffled whole months away into the wind.
It certainly hasn’t escaped Quentin Dupieux’s notice, and somehow, in between the dripping taps and toppling civilizations of this pandemic, he’s made a whole film about it.Admittedly, at 74 minutes, with the limited cast and locations now typical of corona-restricted shoots, the charmingly eccentric “Incredible but True” at first seems even more of a doodle than 2020’s eccentrically charming “Mandibles” or 2019’s “Deerskin,” which was quite the charmer in its eccentricity.
But Dupieux has always created mini-universes in which his deadpan-doofus characters can pinball about obeying the laws of a physics not quite the same as ours, so in many ways, the restrictions don’t seem to have restricted him that much. “Incredible but True” may wear it lightly, but it has a thematic ambition unusual for this ordinarily willfully unserious writer-director-cinematographer-editor.
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