Cinema’s love affair with trains goes back, of course, to the very origins of the art form, and more than a century later, the flame shows no sign of dimming.
To recent examples such as “Snowpiercer” (2013), “Train to Busan” (2016), and the latest of many adaptations of “Murder on the Orient Express” (2017) can now be added “Compartment no.6” (“Hytti Nro 6”) from Finnish director Juho Kuosmanen, premiering in Competition at this year’s Festival de Cannes.
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