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How ‘The Woman King’ Cinematographer Fought to Highlight the ‘Beauty of Black Skin’

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thewrap.com

didn’t get it right and left darker skin tones underexposed. More significantly, just as Morgan had to be conscious of the differences of lighting Black skin versus light skin, the hair and makeup teams on “The Woman King” or other below-the-line crew members also understood the nuances of working with Black hair or skin compared to white hair and skin.

Morgan explained that culture that was established on set can be seen in the care and attention to detail on screen. “On this movie, Gina hired [heads of department] that can help the women feel comfortable.

When they were on set, they could feel completely free and could be vulnerable to just let themselves go because they felt supported by the people around them about people that understood them,” Morgan said. “The Woman King” is in theaters now.

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