Danielle Turchiano Senior Features Editor, TVIn entering into the world of FX’s “Pose,” one steps onto the gritty streets of 1980s and 1990s New York City, where characters are losing loved ones to HIV/AIDS — and at the same time attending colorful, vibrant balls that allow for a creative outlet and safe space for those who identify as LGBTQ.
These are two very distinct settings, but they must have the same tone. That is why showrunner Steven Canals doesn’t actually separate the worlds — or the scenes set in them — when he writes the episodes.“Ball scenes are either there to aid in pushing the narrative forward or serve as a reprieve from all of the drama,” Canals says. “But the tone of any ball scene is pretty much in line with the theme.
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