The scene is nighttime, a rented house in Beverly Hills, the only sources of light a few hurricane lamps and a fireplace blaze.
An offscreen interviewer sets the conversation in motion, apologizing for kicking things off with "a real heavy question." The unseen speaker is Orson Welles, his voice booming with authority, and as he spars with Dennis Hopper over the next two-plus hours, there are no light questions, no easy lobs.
What unfolds is a match of artistic intellects, thrilling to behold not just for its dynamic array of topics — religion, the Oedipal complex, revolution and, above all, what it means to be a filmmaker — but also for its public unveiling after half a century gathering cobwebs in Welles' celluloid archives.
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