Jessica Kiang There are no more potential-killing words of creative advice than “write what you know.” Certainly it’s a shame that when donning her screenwriter chapeau, Valeria Bruni Tedeschi — a fine actress and a director with a deft, light touch, especially with breezy character comedy — seems to have taken them so to heart.
Once again she goes back to the autobiographical well for her latest directorial trifle, “Forever Young,” which she co-writes alongside Agnès De Sacy and regular collaborator Noémie Lvovsky.Once again the result is set in a rarefied world of which Bruni Tedeschi has intimate knowledge: this time the 1980s acting school run by the late French theater, opera and film director Patrice Chéreau.
And once again she fails to make much of a case for why any of it should resonate with anyone outside this tiny, hermetically enclosed community.
Staying in your lane is hardly a virtue when your lane is more of a gated gravel driveway leading to a faraway secluded villa, possibly surrounded by a moat.
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