This review of “Ema” was first published after the film’s premiere at the 2019 Venice Film Festival.Several years after Pablo Larraín’s fractured first lady biopic “Jackie” launched the filmmaker from the festival circuit to the Oscar race, the Chilean director returns with “Ema,” a hypnotic new film that builds on the premise of his previous effort while taking it to more formally daring ends.As with Larraín’s American debut, the Spanish-language “Ema” once again finds the director tracing the complicated emotional life of a fiery female lead, using all the tools of the trade to map the peaks and valleys of a protagonist’s fractured mental state.The similarities end there, because “Ema” is its own unique beast, a prickly punk remix that.
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