‘Elvis’ Review: Baz Luhrmann Turns Raw, Gyrating Machismo Into Charisma That’s Just Loud [Cannes]

As a procedural drama centrally interested in the radicalization of a young Muslim boy in Belgium, Adil & Bilall’s “Rebel” pulsates with terrible inevitability. Falling behind at school, with an adored older brother already having made the trip to Syria and a trafficker whispering in his ear, it’s less a question of if Nassim (Amir El Arbi, another tremendous kid actor for Cannes ’22 to tick off) is going to find himself on the Jihadist frontline, but when.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was a familiar winner striking gold again. For the second time in five years, director Ruben Östlund won the coveted Palme d’Or for his English-language debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square” and beat out eighteen other films to win this year’s top prize.

The closing ceremony for the 2022 Cannes Film Festival provided a number of surprises. The biggest being “Triangle of Sadness” taking the Palme d’Or.

Austin Butler is receiving a lot of praise for his role as Elvis Presley. Butler plays the King of Rock n Roll in the upcoming Baz Luhrmann-directed biopic, out in June. Not only are critics praising the performance, the 30-year-old actor has gotten rave reviews from Elvis’ former wife, Priscilla Presley and daughter,Lisa Marie Presley.

Tom Hanks led the stars at the 2022 Cannes Film Festival in France. The Oscar-winning actor takes on the role of the Kings manager, Colonel Tom Parker, in "Elvis." During the film festival, Hanks posed for pictures alongside Elvis Presley's ex-wife Priscilla Presley. The 65-year-old actor was joined by Disney star Austin Butler, who takes on the Elvis role in the unreleased film.

Though shot and set prior to the Russian invasion, by dint of being a Ukrainian picture detailing the aftermath of a woman soldier’s assault in the Donbas, “Butterfly Vision” lays claim to uniquely wretched timeliness at this year’s Cannes. What is an impressive if formally flawed first film from Maksym Nakonechnyi earns some emotional weight vis-a-vis present events: the Ukrainian flags of blue and white, flown with unsparing pride across Nakonechnyi’s images, bear the immediate frisson of beleaguered resistance, and that women Stateside presently face unprecedented threats to their bodily autonomy only compounds the miserable resonance.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was familair winner striking gold again. For his second time in five year, director Ruben Östlund won the coveted Palme d’Or for his English-laungage debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square,” and beat out eighteen other films to win this years top prize.

The 75th Cannes Film Festival is coming to a close. The two-week festival saw some of the biggest stars and most anticipated films of the year come together to celebrate cinema.

Måneskin have spoken to NME about working with director Baz Luhrman on their cover of ‘If I Can Dream’ for upcoming Elvis biopic.Elvis, the upcoming Presley biopic directed by Baz Luhrmann that’s set to arrive in cinemas next month, comes with a soundtrack of covers along with “original songs and recordings” by Presley himself and the film’s star, Austin Butler. Artists to have contributed include Eminem, Tame Impala, Stevie Nicks, Jack White, Swae Lee, Diplo, Chris Isaak, Denzel Curry, Jazmine Sullivan, Pnau and more.Speaking to NME for this week’s Big Read cover story, Måneskin told us about recording their version of Evlis’ “huge ballad” ‘If I Can Dream’.“We were talking about it with Baz Luhrmann, who had this really cool, super-smart idea, because it would have been so easy to give us an up-tempo song and go super rock-ish,” said frontman Damiano David.

s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.

Steven Gaydos Executive VP of ContentNearly a half-century has passed since Elvis left the building, permanently. Australian auteur Baz Luhrmann has just unleashed “Elvis,” his big, bold, nearly three-hour biopic, at Cannes and that Warner Bros. bet appears to have paid off.

upcoming biopic “Elvis.”The 65-year-old Oscar winner discussed why he decided to portray him — and how director Baz Luhrmann convinced him to do so — at the Cannes Film Festival on Thursday.“I’m not interested in playing a bad guy just for the sake of, ‘Before I kill you, Mr. Bond, perhaps you’d like a tour of my installations.’ That’s OK, I get it, but that’s for other stuff,” the “Forrest Gump” actor noted via People.Hanks donned prosthetics and hefty cosmetics to become the real-life legend, though he confessed at the French film fest that he “did not know what Colonel Tom Parker looked like.”He added that Luhrmann described the Colonel as a “great carney,” or carnival worker.“The carney’s job is to bring people to the glittering lights on the outside of town, promise them something they’ve never experienced before, and then, almost giving it to them, at a cost,” he said.

Michelle Williams is glowing in Cannes! On Friday, the 41-year-old actress stepped out to attend the premiere of her latest film, , at the 2022 Cannes Film Festival, and proudly displayed her baby bump on the red carpet.Williams, who's currently in the midst of her third pregnancy, stunned in an all Chanel look, wearing a white and midnight blue lace long dress with embroidered top from the fashion house's Haute Couture Spring-Summer 2022 collection.Two hundred and seventy hours were spent embroidering 15,000 elements, including a floral motif embroidery composed of strass, glass beads and sequins, on the gown.She paired the dress with white shoes, along with a white gold and diamond ring and coordinating necklace, all which were designed by Chanel.Williams' Cannes appearance came the same month that she confirmed she and her husband, Tony-winning director Thomas Kail, are expecting their second child together.The couple also shares a son, Hart, whom they welcomed in 2020, the same year they tied the knot. Williams is also mom to Matilda, 16, the daughter she shares with the late Heath Ledger.«It’s totally joyous,» Williams told  of her third pregnancy.

75th annual Cannes Film Festival kicked off this year on May 17th to celebrate and preview highly-anticipated, soon-to-be-released films, along with honoring renowned actors and actresses. And of course, the invite-only event brings the most famous celebrities and actors from around the world to Cannes, France for the special occasion.

Filmmakers seeking to denounce the crushing effects of capitalism often seem to rely on the excuse that if their films aren’t subtle, it’s because capitalism itself isn’t either. But such systems of exploitation probably wouldn’t still be around if, on top of having (very visible, obvious, violent) power on their side, the powers that be didn’t perniciously plant their hooks into the minds and hearts of their victims, making them do most of the work for them.

This year’s dark horse in competition at Cannes is easily “Leila’s Brothers,” Iranian writer-director Saeed Roustaee’s third feature and worthy follow-up to his intense 2019 cop thriller “Just 6.5.” With hints of “The Godfather” and Arthur Miller evident throughout, the drama is a sprawling tale exploring dysfunctional family dynamics, economic hardships, and generational wealth. READ MORE: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watch “Leila’s Brothers” follows the lives of a Tehran family as they struggle to stay afloat amidst financial hardships and complicated familial relationships.

The exquisite and sublime journeys of Oregon-based filmmaker Kelly Reichardt are arguably, more or less, incidental or oblique political statements about survival in America, often focusing on two or more friends, usually outsiders, and their struggle to endure. “Wendy And Lucy,” about a destitute woman and her soulmate canine companion, was overt about human inequity and hardship; “Meek’s Cutoff” depicted the unbearable burden of living off a hostile, unforgiving land; and “First Cow” presented the warm, but sad futility of two friends trying to sustain themselves under the grueling rigors of nascent American capitalism.

Antibes where guests were entertained with performances from Christina Aguilera, Ricky Martin and Charli XCX. The night began with a glitzy red carpet. Tom Hanks who stars in the new “Elvis” movie from Baz Luhrmann attended with the director.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

In Hirokazu Kore-eda’s Palme d’Or winner “Shoplifters,” a group of small-time thieves forms their own makeshift family, living every day not only through pure survival instinct but a genuine love for each other. For his first film set in Korea, the Japanese filmmaker reflects on similar themes in “Broker,” a road trip odyssey reflecting on the family we choose and the family we tearfully let go of.

Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.

Austin Butler, Tom Hanks, and Olivia DeJonge. The red carpet was full of some of our favorite names like Shakira, Ricky Martin, and Georgina Rodriguez.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

Directed by Louis Garrel, son of revered arthouse director Philippe, “The Innocent” is a quintessentially French comedy whose principle aim is to be a fun time. Though this may seem a relatively modest ambition, we all know it isn’t easy to do well, and Garrel certainly does not make things any simpler for himself as the film repeatedly leaves the realm of the bon mot to veer on the farcical.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.

Manori Ravindran International EditorThe “Elvis” team was on hand in Cannes for a little more conversation about Baz Luhrmann’s boisterous musical drama — but how Tom Hanks landed on his mysterious European-American accent as Colonel Tom Parker in the movie will remain a mystery for now.The Oscar-winning actor received the first question from journalists at the Thursday press conference, and was asked how he prepared for his role as Parker and whether he researched his Dutch background and accent.Hanks skirted any discussion of his accent work, and instead spoke at length about learning more about Elvis’ notorious manager, who “was a delightful guy” that could light up every room he came into.“Was he a cheap crook that played fast and loose? Yeah, when it comes down to that, but I worked that all out to everyone’s satisfaction,” said Hanks, “He was a man who brought joy to everything he did — along with a bit of larceny.” “Elvis” marks Luhrmann’s first feature directorial effort since 2013’s “The Great Gatsby,” which also world premiered at the Cannes Film Festival. Butler stars in the title role opposite Hanks as Elvis’ infamous manager.While critics have praised Butler’s tour de force performance, Hanks’ extremely thick and at times indecipherable accent for Parker, who was from the Netherlands, has been singled out as one of the movie’s weaker turns, and some have called Hanks’ prosthetic nose and padding to resemble the heavy-set Parker distracting.“I’m not interested in playing a bad guy just for the sake of, ‘Before I kill you Mr.

IT’S almost as if Elvis Presley never left the building. Nearly 45 years after his death, the King of Rock ’n’ Roll is back – on the big screen, at least.

Cannes Film Festival on Wednesday. The model, 24, looked sensational in the figure hugging shimmering blue, pink and green ensemble which featured thin straps around her neck.  She posed up a storm turning to the side revealing her peachy behind in the backless eye catching number.

Kaia Gerber and Austin Butler are packing on the PDA!

Sharon Stone is looking so cool on the red carpet!

The stars are stepping out for the Elvis premiere during the 2022 Cannes Film Festival!

Tom Hanks looked as dapper as ever with Priscilla Presley on his arm at the star-studded Cannes premiere of Baz Luhrmann’s highly-anticipated Elvis biopic. The film, which is out in June, stars Austin Butler as the king of rock ‘n’ roll, which follows Presley’s rise to fame. Tom, who plays Presley’s enigmatic manager Colonel Tom Parker, was seen on the red carpet at the 75th Cannes Film Festival with Presley’s ex-wife by his side.

2022 Cannes Film Festival, where Kaia Gerber and Austin Butler were in full PDA mode!The 20-year-old model and 30-year-old star walked the red carpet Wednesday for the world premiere of the Baz Luhrmann-directed biopic and didn't let the cameras deter them from showing their affection. In fact, it appears as if it was Gerber, looking stunning in a red gown, who grabbed Butler's face with both hands and planted a wet one on the budding actor.Once inside the theater, the audience got to enjoy the highly anticipated screening of the film set to be released June 24.