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‘Diana, The Musical’ Review: A Royal Tragedy Turned Vacuous Rom-Com

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variety.com

Naveen Kumar Is it possible that Lady Di might have loved “Diana, The Musical”? We’re talking about the princess who surprised Covent Garden with a duet to Billy Idol’s “Uptown Girl,” a brash and unsettling marriage of cultures high and low.

But the almost impressively artless new Broadway musical from “Memphis” creators Joe DiPietro and David Bryan — which does plenty of its own speculation about the dead — lacks any similar claim to daring, originality or taste.There is something audacious about this musical’s suggestion that the people’s princess belongs to the people, by way of the popular medium’s basest, bluntest, most blatantly pandering form.

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